Transcom
 
 
Surplus Equipment

Used AM Transmitters

 
Used FM Transmitters
 
 
 

Harris FM 5K1, single tube 5KW FM Transmitter

 

 

 

 

 

 

 

 

 

On-Board Diagnostics

 

 

 

 

 

 

GENERAL

POWER OUTPUT: 1500 Watts to 5000 Watts.

FREQUENCY RANGE: 87.5 to 108 MHz, tuned to specified operating frequency.

RF OUTPUT IMPEDANCE: 50 ohms.

OUTPUT TERMINATION: 1-5/8" EIA flange.

FREQUENCY STABILITY: ±300 Hz 0° to 45°C TCXO.

TYPE OF MODULATION: Direct Carrier Frequency Modulation (DCFM).

MODULATION CAPABILITY: 133%.

AC INPUT POWER: 197/250 V, 60 or 50 Hz, single phase, two wire. Power consumption: 10 kW watts (approx.). 60 or 50 Hz, 150 watts for MX-15.

RF HARMONICS: Suppression meets all FCC requirements.

ALTITUDE: 10,000 ft./60 Hz, 7500 ft./50 Hz.

AMBIENT TEMPERATURE RANGE: -20°C to +45°C. MAXIMUM VSWR: 2.0:1.

OVERALL CABINET SIZE: 33"W (84cm) x 72"H (182 cm) x 34"D (99cm).

FINISH: White, blue and black.

WEIGHT & CUBAGE: Export: 46.7 cu. ft. (1.322 cu. m); Weight 925 Ibs. domestic (420 Kg); 10251bs. export (470 Kg.)

WIDEBAND COMPOSITE OPERATION

COMPOSITE INPUT: One balanced floating input. COMPOSITE INPUT IMPEDANCE: 2000 ohms resistive. COMPOSITE INPUT CONNECTOR: Female BNC.

COMPOSITE INPUT LEVEL: 1.0volt RMS nominal for ±75 kHz deviation.

EXTERNAL SCA GENERATOR INPUTS: Up to two unbalanced inputs (optional).

COMPOSITE FM SIGNAL TO NOISE: 80 dB below 100% modula­tion (reference 400 Hz @ ±75 kHz deviation with 75 microsecond de-emphasis, 20 Hz to 200 kHz bandwidth).

COMPOSITE HARMONIC DISTORTION:      .08%. COMPOSITE INTERMODULATION DISTORTION: .02% (60 Hz/ 7 kHz 1: 1 tone pairs).

COMPOSITE CCIF INTERMODULATION DISTORTION: All dis­tortion products below 80 dB (reference 14 kHz/15 kHz test tone pair).

COMPOSITE AMPLITUDE RESPONSE: ±0.1dB, 30 Hz-53 kHz.

ASYNCHRONOUS AM SIGNAL TO NOISE: 55 dB below refer­ence carrier AM modulation 100% output power.

SYNCHRONOUS AM SIGNAL TO NOISE: -50 dB. MONAURAL OPERATION

AUDIO INPUT IMPEDANCE: 600 ohms, balanced, resistive, transformerless, adaptable to other impedances.

INPUT FILTER: Controlled response low pass filter, defeatable. AUDIO INPUT LEVEL: + 1 0 dBm ±1 dB for 100% modulation at 400 Hz.

 AUDIO FREQUENCY RESPONSE: Standard 75 microsecond FCC pre-emphasis curve ±0.5 dB, 30 Hz-15 kHz. Selectable:   flat, 25 or 50 microsecond pre-emphasis.

HARMONIC DISTORTION: 0.15%, 30 Hz to 15 kHz de­emphasized.

INTERMODULATION DISTORTION: .045%, 60 Hz/7 kHz test  tone pair, 4: 1 ratio.

CCIF INTERMODULATION DISTORTION: All distortion prod­ucts down 70 dB (reference 14 kHz/15 kHz test tone pair).

FM SIGNAL TO NOISE RATIO: 80 dB below 100% modulation

   (reference 400 Hz @ ±75 kHz deviation, measured 20 Hz to

200 kHz bandwidth, 75 microsecond de-emphasis).

 STEREO OPERATION

 TYPE OF MODULATION: Digitally Synthesized Modulation (DSM).

 AUDIO INPUT IMPEDANCE: Left and right channels: 600 ohms,

   balanced, resistive, transformer less, adaptable to other  impedances.

AUDIO INPUT LEVEL: + 10 dBm, ± 1 dB for 100% modulation.

AUDIO FREQUENCY RESPONSE: (Left and right) standard 75

microsecond FCC pre-emphasis curve ±0.5 dB, 30 Hz-15 kHz. Selectable: flat, 25 or 50 microsecond pre-emphasis.

INPUT FILTERING: 15 kHz low pass filter, 45 dB rejection at  19 kHz.

OVERSHOOT PROTECTION: Harris patented Dynamic Trans­ient Response (DTR) filter. Defeatable for test purposes.

AUDIO TRANSIENT RESPONSE: 2% maximum overshoot beyond steady state.

HARMONIC DISTORTION: (Left or right) 0.2% or less, 30-15,000 Hz.

INTERMODULATION DISTORTION: (Left or right) 0.1% 60 Hz/7 kHz test tone pair, 4: 1 ratio.

CCIF INTERMODULATION DISTORTION: (Left or right) all dis­tortion products down 75 dB (reference 14 kHz/15 kHz test tone pair).

STEREO SEPARATION: 50 dB, 30 Hz-15 kHz; typically 60 dB at midband frequencies.

DYNAMIC STEREO SEPARATION: 48 dB under normal pro­gramming conditions.

LINEAR CROSSTALK: -50 dB.

NON-LINEAR CROSSTALK: -60 dB.

76 kHz SUPPRESSION: -68 dB.

38 kHz SUPPRESSION: - 73 dB.

FM NOISE: (Left or right) 72 dB minimum below 100% modula­tion. Reference: 400 Hz, 75 microsecond de-emphasis, ±75 kHz deviation, measured 30 Hz to 15 kHz bandwidth.

PILOT OSCILLATOR: Crystal controlled.

PILOT PHASE: Harris patented automatic pilot phasing circuit. PILOT STABILITY: 19 kHz ±1 Hz 0° to 50°C.

OPERATIONAL MODES: Stereo, mono (left and right), mono (left), mono (right)-remoteable.

SCA OPERATION

MODULATION: Direct FM.

FREQUENCY OF OPERATION: 67 or 92 kHz programmable, any frequency between 25 and 92 kHz on special order. FREQUENCY STABILITY: ±500 Hz.

MODULATION CAPABILITY: ±7.5 kHz.

AUDIO FREQUENCY RESPONSE: 67 kHz and 92 kHz AC coupled input, 150 microsecond pre-emphasis ±1dB,  standard. Selectable flat, 50 or 75 microsecond pre-emphasis. DC coupled inl1Jut: No pre-emphasis: DC to 4 kHz ±0.5 dB.

   AUDIO INPUT IMPEDANCE: 600 ohms balanced (AC coupled). Also 2000 ohms DC coupled unbalanced input through rear BNC connector.

AC INPUT LEVEL: + 10 dBm, ±1 dB for 100% modulation at 400 Hz @ 600 ohms.

DC INPUT LEVEL: 1.0 volt peak for 5 kHz deviation.

INPUT FILTERING: Programmable LPF, 4.5 kHz standard. 3 kHz,

5 kHz, 7.5 kHz selectable. Low pass filter defeatable.

HARMONIC DISTORTION: 0.5%,30-4,500 Hz ±:5 kHz deviation.

INTERMODULATION DISTORTION: 1%,60 Hz/7 kHz, 1:1 ratio (audio low pass filter and pre-emphasis bypassed).

FM NOISE: (Main channel not modulated) -63 dB (reference: 100% modulation = ±5 kHz deviation at 400 Hz).

CROSSTALK: (SCA to main or stereo sub-channel) -60 dB or better.

  CROSSTALK: (Main or stereo sub-channel to SCA) 55 dB below ±5 kHz deviation of SCA with mono or stereo channels mod­ulated by frequencies 30 Hz-15 kHz, SCA demodulated with 150 microsecond de-emphasis.

CROSSTALK: SCA to SCA (67 kHz/92 kHz) -50 dB demodulated with 150 microsecond de-emphasis.

AUTOMATIC MUTE LEVEL: Variable from 0 to -30 dBm. MUTE DELAY: Adjustable 0.5 to 20 seconds.

INJECTION LEVEL: 1 % to 30% of composite level (adjustable).